Bryan Larsen
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Potrait of Ali
Charcoal on paper |
Sun on the Water
Oil on linen |
Study for Among the Clouds 2
Oil on linen |
Among the Clouds V
Oil on linen |
Anatomical Neck
Charcoal |
Study for Among the Clouds
Oil on linen |
Atlas Cover Color Study, Series 2, 2-1
watercolor wash over black and white digital of the original drawing on archival paper |
A Moment's Pause
Charcoal |
Explorer
Oil on linen |
Into the Blue
Oil on linen |
Atlas Study
Oil on board |
Atlas Cover Study, Series 1, 1-1
Original, red ink on archival paper |
Atlas Cover Study, Series 1, 1-3
Original, red ink on archival paper |
Atlas Cover Study, Series 1, 1-5
Original, red ink on archival paper |
Atlas Cover Study, Series 1, 1-7
Original, red ink on archival paper |
Atlas Cover Study, Series 2, 2-1
Original, red ink on archival paper |
Atlas Cover Study, Series 2, 2-3
Original, red ink on archival paper |
David
Charcoal |
Heiress
Charcoal |
Snowscape
Oil on masonite |
The Artist's Son
Oil on linen |
Portrait of Quent and Linda
Charcoal on paper |
Windmills
Oil on linen |
Paintings by commission available, contact us. An interview with Bryan Larsen... More Art by Bryan Larsen |
About Bryan Larsen ~

"I was born on February 12, 1975, and have been drawing as long as I can remember. By the time I was in high school, I knew I wanted to be an artist, although at the time I didn't have a clear idea of how exactly I would use my talents to make a living.
"As I continued studying art, I began to suspect that fine visual art was dead. No one seemed interested in teaching students how to draw well, or paint well. More often than not, my own skills exceeded those of my instructors.
"The only field left that seemed to require good drawing, painting, and compositional skills was illustration, and therefore I began studying illustration at Utah State University in Logan, Utah. I became even more convinced that I had made the right decision in staying away from fine art as I endured course after course of required "drawing" and "painting" classes in which instructors required me to draw with "less focus", or use ridiculous materials such as shellac, glue, sand, salt, etc.
"My second year at Utah State, I met Damon Denys. In discussing Art with him I realized that there were other people who believed that technique and subject matter were indispensable components of any work of art. I then decided that I would work to develop my own painting skills with the purpose of creating artwork that I considered worthy of being called Fine Art.
"Since that time, I have studied on my own: Drawing from live models to learn the human form, studying proper painting techniques from any source I could find ample reason to trust, and developing a philosophy of Art based on reason, and life on earth.
"My goal is to portray the heroic and romantic in human nature and human achievement in a realistic style and a modern setting. I place particular emphasis on composition, technique, realistic detail, proper craftsmanship and consistency of style."

Potrait of Ali
Sun on the Water
Study for Among the Clouds 2
Among the Clouds V
Anatomical Neck
Study for Among the Clouds
Atlas Cover Color Study, Series 2, 2-1
A Moment's Pause
Explorer
Into the Blue
Atlas Study
Atlas Cover Study, Series 1, 1-1
Atlas Cover Study, Series 1, 1-3
Atlas Cover Study, Series 1, 1-5
Atlas Cover Study, Series 1, 1-7
Atlas Cover Study, Series 2, 2-1
Atlas Cover Study, Series 2, 2-3
David
Heiress
Snowscape
The Artist's Son
Portrait of Quent and Linda
Windmills